Print, Editorial Design, Photography
16-page newspaper for the Repair Acts Workshop 3 at the Environment and Sustainability Institute (ESI) in October, 2018.
Repair Acts is a pluralistic, artist-led research programme that explores repair, care, maintenance and healing cultures and is housed in the Digital Cultures Research Centre at the University of the West of England.
The newspaper showcased updated work from the AHRC funded Visible Mending project. Signed limited edition run of 100.
Collaborators: Dr Tersea Dillon / Dr Caitlin DeSilvey
Client: UWE Digital Futures / ESI
Repair Acts is a pluralistic, artist-led research programme that explores repair, care, maintenance and healing cultures and is housed in the Digital Cultures Research Centre at the University of the West of England.
The newspaper showcased updated work from the AHRC funded Visible Mending project. Signed limited edition run of 100.
Collaborators: Dr Tersea Dillon / Dr Caitlin DeSilvey
Client: UWE Digital Futures / ESI
Graphic Design, Print, Identity
Details:
Packaging for a limited edition DVD run of the film Properous Mountain by Heidi C. Morstang.
2 x 24pp full colour booklets + a copy of the film in seperate bespoke wallet. One booklet an essay There is a tension of above and beneath by Barry Phipps; the other contains selected stills from the film.
150 gsm Olin Rough Cream for the booklets and 300 gsm Olin Rough Cream for the waller. Cloth bound Slipcase, dark blue Brillianta 4048 (Winter & Company) on 1500 um (1.5mm) White Linen Board. Block deboss centre front face, with tipped image of film still. Bespoke ink stamp created for limited edition (100) stamping on DVD and DVD wallet.
Collaborators: Jessica Lennan on the finishing
Packaging for a limited edition DVD run of the film Properous Mountain by Heidi C. Morstang.
2 x 24pp full colour booklets + a copy of the film in seperate bespoke wallet. One booklet an essay There is a tension of above and beneath by Barry Phipps; the other contains selected stills from the film.
150 gsm Olin Rough Cream for the booklets and 300 gsm Olin Rough Cream for the waller. Cloth bound Slipcase, dark blue Brillianta 4048 (Winter & Company) on 1500 um (1.5mm) White Linen Board. Block deboss centre front face, with tipped image of film still. Bespoke ink stamp created for limited edition (100) stamping on DVD and DVD wallet.
Collaborators: Jessica Lennan on the finishing
Editorial Design, Print
Details:
Photo catalogue for the Instiutute of Photography at Falmouth University. Stock from magic paper people G.F. Smith.
The brief was to make something for the poor graduates who missed out on their graduation show because of Covid. We wanted to make more than a book or catalogue. We wanted it to be useful in as many ways as possible: as a collection of the groups work, as material to send to industry contacts, and as posters for a collective exhibiton.
Client: Oliver Udy at the IOP, Falmouth University
Photo catalogue for the Instiutute of Photography at Falmouth University. Stock from magic paper people G.F. Smith.
The brief was to make something for the poor graduates who missed out on their graduation show because of Covid. We wanted to make more than a book or catalogue. We wanted it to be useful in as many ways as possible: as a collection of the groups work, as material to send to industry contacts, and as posters for a collective exhibiton.
Client: Oliver Udy at the IOP, Falmouth University
Wayfinding, Infographic, Graphic Design
A bespoke wayfinding map to help visitors find their way around in the Jubilee Warehouse studio complex.
Subtely incorporated into the exisiting wooden features, this in-situ lazer-cut map solves the location problem whilst sympathetically fitting in with the refined aesthestic of the space.
Collaborators: Cut By Beam Laser Cutting
Client: Robot Mother
Subtely incorporated into the exisiting wooden features, this in-situ lazer-cut map solves the location problem whilst sympathetically fitting in with the refined aesthestic of the space.
Collaborators: Cut By Beam Laser Cutting
Client: Robot Mother
Graphic Design, Web
Details:
Website design and build for The Satellite Oceanographic Datasets for Acidification Project (SODA) esa-oceansoda.org ︎︎
SODA Project Overview:
Since the beginning of the industrial revolution humans have released approximately 500 billion metric tons of carbon into the atmosphere from burning fossil fuels, cement production and land-use changes.
About 30% of this carbon dioxide (CO2) has been taken up by the oceans, largely by the dissolution of this CO2 into seawater and subsequent reactions with the dissolved carbonate ions present in seawater.
Anthropogenic emissions CO2 levelled out in 2016, but have since begun to increase again, rendering absolutely critical to monitor ocean carbon uptake. The long-term uptake of carbon dioxide by the oceans is reducing the ocean pH, a process commonly known as ocean acidification. The uptake is also altering the ocean chemistry and ecology, impacting marine ecosystems on which we rely.
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Note The image here shows part of the world's largest coral reef, the 2300-kilometre-long Great Barrier Reef off Australia's Queensland coast, just beneath the sea surface. An area of biodiversity equal in importance to tropical rainforests, the Reef was made a UNESCO World Heritage Site in 1981.
Coral reefs worldwide are increasingly under threat from coral bleaching, where the algae is expelled from the coral tissue, progressively losing its colour and eventually dying. This phenomenon is associated with increased water temperatures, low salinity and high sunlight levels. Source: esa image bank
Collaborators: Tim Hendy at TH Design
Client: ESI / European Space Agency
Website design and build for The Satellite Oceanographic Datasets for Acidification Project (SODA) esa-oceansoda.org ︎︎
SODA Project Overview:
Since the beginning of the industrial revolution humans have released approximately 500 billion metric tons of carbon into the atmosphere from burning fossil fuels, cement production and land-use changes.
About 30% of this carbon dioxide (CO2) has been taken up by the oceans, largely by the dissolution of this CO2 into seawater and subsequent reactions with the dissolved carbonate ions present in seawater.
Anthropogenic emissions CO2 levelled out in 2016, but have since begun to increase again, rendering absolutely critical to monitor ocean carbon uptake. The long-term uptake of carbon dioxide by the oceans is reducing the ocean pH, a process commonly known as ocean acidification. The uptake is also altering the ocean chemistry and ecology, impacting marine ecosystems on which we rely.
–
Note The image here shows part of the world's largest coral reef, the 2300-kilometre-long Great Barrier Reef off Australia's Queensland coast, just beneath the sea surface. An area of biodiversity equal in importance to tropical rainforests, the Reef was made a UNESCO World Heritage Site in 1981.
Coral reefs worldwide are increasingly under threat from coral bleaching, where the algae is expelled from the coral tissue, progressively losing its colour and eventually dying. This phenomenon is associated with increased water temperatures, low salinity and high sunlight levels. Source: esa image bank
Collaborators: Tim Hendy at TH Design
Client: ESI / European Space Agency